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César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Tenor

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Tenor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

9 Lieder and Songs Op.32 No.4_-_Der Strom der neben mir verrauschte

fredipi

1:19	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		33	47	8	7	82%
		44	33	13	5	89%
Singstimme Voice		16	0	6	5	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		33	47	8	7	82%
		44	33	13	5	89%
Singstimme Voice		16	0	6	5	94%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Alto

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Ténor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

Franz Schubert: Die schöne Müllerin - D 795 No5 "Am Feierabend"

fredipi

2:54	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	41	8	5	100%
		29	20	8	6	98%
Hautbois		17	0	6	5	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	41	8	5	100%
		29	20	8	6	98%
Hautbois		17	0	6	5	84%

Hector Berlioz - Grande Messe des Morts, op.5 - 04 Rex tremendæ.

fredipi

5:29	Est. Play Time
112	Measures
	2,638Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
BASSI I e II.		23	0	8	8	80%
SOPRANI ed ALTI		20	0	7	8	80%
TENORI I e II.		18	0	6	9	79%
Alti		18	0	6	8	78%
Basse I.		22	0	8	8	78%
Basse II.		21	0	7	8	78%
Soprano		20	0	7	8	78%
Ténor II.		18	0	6	9	77%
Ténor I.		18	0	6	8	77%

Georges F. Root, The Star of Bethlehem - pupitre Basse

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Basse		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Tenor

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	3	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Soprano

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	2	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	3	6	87%
Tenor		9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Alto

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	4	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

G.B. Pergolesi - Stabat mater, 12. Quando corpus morietur

fredipi

4:26	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		30	16	10	7	100%
		33	32	11	6	94%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		30	16	10	7	100%
		33	32	11	6	94%
Soprani		14	0	5	7	88%
Alti		12	0	4	8	81%

Brahms_Johannes - 9 Lieder and Songs Op.32 No.2 - Nicht mehr zu dir zu gehen

fredipi

2:30	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

Brahms Johannes - 9 Lieder and Songs Op.32 No.5 - Wehe so willst du mich wieder

fredipi

1:54	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		21	58	12	4	100%
		33	30	18	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		21	58	12	4	100%
		33	30	18	4	100%
Singstimme Voice		14	0	8	5	74%
Voice (Verse 2 cutaway)		4	0	4	1	6%

Rossini - Messe Solennelle - 9. Crucifixus

fredipi

2:31	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	60	10	3	100%
		36	17	14	2	54%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	60	10	3	100%
		36	17	14	2	54%
Soprano		18	0	7	9	94%
Orgue		23	30	10	5	87%
		22	32	8	3	89%

Franz Schubert: Die schöne Müllerin - D 795 No6 "Der Neugierige"

fredipi

3:50	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		25	25	8	6	93%
		22	26	8	5	95%
Singstimme.		16	0	7	7	87%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		25	25	8	6	93%
		22	26	8	5	95%
Singstimme.		16	0	7	7	87%

Hector Berlioz - Grande Messe des Morts, op.5 - 02b Tuba mirum.

fredipi

6:39	Est. Play Time
113	Measures
	1,804Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	95	17	14	88%
		42	72	22	13	91%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		38	95	17	14	88%
		42	72	22	13	91%
BASSI I e II.		22	9	9	9	71%
TENORI I e II.		22	18	7	7	33%
SOPRANI ed ALTI		17	4	4	8	31%

Franz Schubert: Die schöne Müllerin - D 795 N°9 "Des Müllers Blumen"

fredipi

0:01	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		20	11	5	4	96%
		17	13	4	4	100%
Singstimme.		9	0	1	4	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		20	11	5	4	96%
		17	13	4	4	100%
Singstimme.		9	0	1	4	74%

Rossini - Messe Solennelle - 5. QuiTollis

fredipi

4:48	Est. Play Time
106	Measures
	1,332Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	52	15	4	100%
		40	62	20	4	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	52	15	4	100%
		40	62	20	4	98%
Contralto		19	0	11	12	83%
Soprano		17	0	10	11	82%

Hector Berlioz - Grande Messe des Morts, op.5 - 04 Rex tremendæ.

fredipi

5:29	Est. Play Time
112	Measures
	2,637Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		45	146	22	10	95%
		40	95	21	9	97%
BASSI I e II.		23	0	8	8	80%
SOPRANI ed ALTI		20	0	7	8	80%
TENORI I e II.		18	0	6	9	79%
Alti		18	0	6	8	78%
Basse I.		22	0	8	8	78%
Basse II.		21	0	7	8	78%
Soprano		20	0	7	8	78%
Ténor II.		18	0	6	9	77%
Ténor I.		18	0	6	8	77%

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